How did Thomasina produce an algorithm that yields a natural form? We will illustrate this with the simplest case, a fern. A leaf is a little more difficult and a little less spectacular than a fern. We need to describe an algorithm that, when iterated as in the chaos game, yields an image of a fern. The fern we will produce is often called the Barnsley fern after the mathematician who popularized this procedure [B].
To do this we start with a square as before. We will describe four linear contractions on this square. Unlike the previous two examples, these contractions will involve more than just simple dilations; they will involve rotations and flips as well. Here is the first operation: squeeze and distort the square linearly so that its image appears as in Figure 5A. Note that the square is compressed from the bottom and from both sides, and then rotated a little. Figure 5B displays the effects of the next two contractions. The left hand rectangle is obtained by first shrinking the square into a rectangle, then shearing and rotating to the left. The second is obtained in similar fashion, except that the square is first flipped along its vertical axis, and then contracted, sheared, and rotated to the right. features more contraction from the top than from the bottom, then rotation in opposite directions. The right hand rectangle is then flipped along In Figure 5C we see the final contraction: the entire square is crushed to a line segment in the horizontal direction, then compressed again in the short direction to yield the short vertical line segment indicate.
Now we play the chaos game with these rules as the four constituent moves. However, instead of randomly choosing a particular contraction, we will choose the rules to apply with differing probability. We will apply the first contraction with the highest probability, namely 85 % of the time. Contractions 2 and 3 will be invoked with probability .07, and the final contraction will be called with probability only .01. When this algorithm is carried out using a computer, the dots slowly fill the screen to reveal a lifelike image of a fern.
As Valentine explains to Hannah, "If you knew the algorithm and fed it back say ten thousand times, each time there'd be a dot somewhere on the screen. You'd never know where to expect the next dot. But gradually you'd start to see this shape, because every dot would be inside this shape of a leaf (or a fern). It wouldn't be a leaf, it would be a mathematical object. But yes. The unpredictable and the predetermined unfold together to make everything the way it is. It's how nature creates itself, on every scale, the snowflake and the snowstorm."
To see the fern leaf unfold gradually on the screen, click here. You will need a QuickTime viewer to see this animation.
In case you don't have the means to view the animation, here are a few snapshots of the fern unfolding. Incidentally, all of these images were computed using the software package Fractal Attraction [LC]
Fig. 6. The results of the chaos game played with 5,000, 10,000, and 50,000, iterations.
Valentine's Grouse (Next Section)
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